


Sing again, with your dear voice revealing
A tone Of some world far from ours,
Where music and moonlight and feeling
Are one.
Percy Bysshe Shelley
HER WORK
With attention to technique and freedom of expression, the path toward finding your best sound opens. Whatever your reasons for vocal study, bel canto principles will get you there.
Leah Crowne teaches classical, operatic singing and Broadway style belt. Jazz, which is a combination of the two is also a major part of her studio. If you would like to inquire about consultations and regular studio work, contact her at CrowneVoiceStudio@gmail.com.


LEAH
CROWNE
Soprano
Her Biography
American Soprano Leah Crowne is known for her powerful voice with a “metallic edge and rich color” (Forum Opéra[Blog], Béziers, France), “house-shaking power,” (The Rutland Herald, Middlebury, Vermont), and “impressive stage presence” (The Coloradan, Ft. Collins, Colorado). She delivers “fine artistry with legato, Italianate vocalism and musical precision” (Maestro Michel Plasson), as well as a “good mix of strength and vulnerability in her characterizations” (Director Anthony Pilavachi).

Schedule
May 2o23
Recital
Lunch Time Concerts at Covent Garden
London, England
June, 2023
Norma
Rome, Italy
July 2023
Recital
Austria Summer Music Festival
Weyer, Austria
May 2023
Lucia di Lammermoor
Washington DC
January 2024
Amina
La Sonnambula
Opera d'Oro
Falls Church, VA
Press And News
Learn what the press has to say about her.

“ Rollen som Turandot synges med insnende intensitet av den dramatische sopranen Leah Crowne.”
“The role of Turandot was sung with icey intensity by dramatic soprano Leah Crowne”
Bergens Tidende | Bergen Norway

Middlebury, Vermont
“Not only were the sets and costumes exotic, Turandot was truly imperious. When Leah Crowne, a young soprano in her second time in the role, began to sing, she nearly shook the house with her power, delivering Turandot’s anger and arrogance, reducing onlookers to fear.
Crowne revealed herself as a dramatic soprano with a large and intense voice. As Turandot, that fits as her tone ranged from beautiful to fierce. But Crowne modulated her voice to reveal Turandot’s softer side, becoming even tender.”
Rutland Herald | Middlebury | VT


“Si l’on essaye de les regrouper par qualités majeures, on louera une belle générosité chez la Salomé de Leah Schenck-Crowne, tout comme dans les stances chantées par le.”
"If we try to rate them by major qualities, we will praise the generous and beautiful Salomé, sung by Leah Crowne."
Forum Opéra | Beziers France